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CD Review
The repertoire in this program, particularly the Scriabin, shows Horowitz at his elemental best. Horowitz's principal trait, as former student Byron Janis so aptly puts it, is his "divine inconsistency" - the gift of total nervous control at the keyboard wedded with a prismatic tonal palette. The mercurial soundscapes of Scriabin's études mesh perfectly with Horowitz's own flightiness. He whips the "Affannato" Op. 42., #5 into a storm, the siren line of the arioso borne over volutes of seething bass notes. Amazing!
The second half of the recital is dominated by the blockbuster Rachmaninoff Sonata #2, recorded live in Carnegie hall.The sound is very good. Essential fare for inveterate romantics.
Copyright © Robert J. Sullivan, 1998.