Adventures in Concert Programming
By Anthony Tommasini
Thomas W. Morris, a former executive director of the Cleveland Orchestra and now a consultant to orchestras, is hardly naïve about the tradition-bound field of classical music. He realizes that conductors of American orchestras face many pressures to play it safe in choosing programs.
Still, it exasperates him that so many conductors seem so wary of taking chances with unconventional or challenging programs.
"When I'm on a consulting project and I encounter a boring program," he said in a telephone interview, "inevitably I'm told, 'The marketing department made us do it.'" But to him hewing to the timeworn three-part program (an overture, a concerto, a popular symphony) makes as little sense financially as it does artistically.
Read more about this at the New York Times website: