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Books About Music

Oxford University Press

Oxford University Press
( UK Site )
ABC of Music: A Short Practical Guide to the Basics. Imogen Holst. Oxford University Press. 1986. ISBN 0193171031 (paperback).

The Aesthetics of Music. Roger Scruton. Oxford University Press. 1997. ISBN 0198166389 (hardcover).

Ancient Greek Music. M. L. West. Oxford University Press. 1994. ISBN 0198149751 (paperback).

Anthems for Choirs Two: Twenty-Four Anthems for Sopranos and Altons, Unison and Two-Part. Philip Ledger (Editor). Oxford University Press. 1973. ISBN 0193532409 (paperback).

Art and the Everyday: Popular Entertainment and the Circle of Erik Satie. Nancy Perloff. Oxford University Press. 1994. ISBN 0198163983 (paperback).

The Art of the Trumpet-Maker: The Materials, Tools, and Techniques of the Seventeenth and Eighteenth Centuries in Nuremberg (Early Music Series, No 1). Robert Barclay. Oxford University Press. 1996. ISBN 0198166052 (paperback).

Authenticity and Early Music. Nicholas Kenyon. Oxford University Press. 1988. ISBN 0198161530 (paperback).

Bamboula!: The Life and Times of Louis Moreau Gottschalk. S. Frederick Starr. Oxford University Press. 1994. ISBN 0195072375 (hardcover).

Basic Techniques of Conducting. Kenneth H. Phillips. Oxford University Press. 1997. ISBN 0195099370 (hardcover).

Beethoven's 'Appassionata' Sonata (Studies in Musical Genesis and Structure). Martha Frohlich. Oxford University Press. 1992. ISBN 0198161891 (hardcover).

The Birth of Opera. F. W. Sternfeld. Oxford University Press. 1995. ISBN 0198165730 (paperback).

A Capella: An Anthology of Unaccompanied Choral Music from Seven Centuries. John Gardner, Simon Harris (Contributor). Oxford University Press. 1992. ISBN 019336199X (paperback).

Celestial Sirens: Nuns and Their Music in Early Modern Milan (Oxford Monographs on Music). Robert L. Kendrick. Oxford University Press. 1996. ISBN 0198164084 (hardcover).

The Classical Mandolin. Paul Sparks. Oxford University Press. 1995. ISBN 0198162952 (hardcover).

The Compleat Conductor. Gunther Schuller. Oxford University Press. 1997. ISBN 0195063775 (hardcover).

The Complete Annotated Gilbert and Sullivan. Arthur Sullivan, et al. Oxford University Press. 1996. ISBN 019816503X (hardcover).

The Concept of Music. Robin MacOnie. Oxford University Press. 1991. ISBN 0198162154 (hardcover), 0198163886 (paperback).

The Concise Oxford Dictionary of Opera (Oxford Paperback Reference). John Hamilton Warrack, Ewan West. Oxford University Press. 1996. ISBN 0192800280 (paperback).

The Concise Oxford History of Music. Gerald Abraham. Oxford University Press. 1985. ISBN 0193113198 (hardcover), 019284010X (paperback).

Conducting Technique for Beginners and Professionals. Brock McElheran, Lukas Foss. Oxford University Press. 1989. ISBN 0193858304 (paperback).

Conversations About Bernstein. William Westbrook Burton (Editor). Oxford University Press. 1995. ISBN 0195079477 (hardcover).

Discarding Images: Reflections on Music and Culture in Medieval France. Christopher Page. Oxford University Press. 1997. ISBN 0198166796 (paperback).

Don Carlos and Company. Christopher Morgan. Oxford University Press. 1997. ISBN 0192880098 (paperback).

The Early Flute (Early Music Series, 15). John Solum. Oxford University Press. 1995. ISBN 0198165757 (paperback).

The Early Mandolin: The Mandolino and the Neapolitan Mandoline (Early Music Series, 9). James Tyler, Paul Sparks. Oxford University Press. 1992. ISBN 0193185164 (hardcover), 0198163029 (paperback).

Early Middle Ages to 1300 (New Oxford History of Music, Vol 2). David Hiley (Editor), Richard L. Crocker. Oxford University Press. 1990. ISBN 0193163292 (hardcover).

Education and Music. Peter Fletcher. Oxford University Press. 1989. ISBN 0193174251 (paperback).

English Romantic Partsongs. Paul Hillier. Oxford University Press. 1986. ISBN 0193436507 (paperback).

Études for Piano Teachers: Reflections on the Teacher's Art. Stewart Gordon. Oxford University Press. 1995. ISBN 0195093224 (paperback).

The Exultet in Southern Italy. Thomas Forrest Kelly. Oxford University Press. 1996. ISBN 0195095278 (hardcover).

First Intermissions: Twenty-One Great Operas Explored, Explained, and Brought to Life from the Met. M. Owen Lee, Father M. Owen Lee. Oxford University Press. 1996. ISBN 0195092554 (hardcover), 0195106490 (paperback).

The Flute Book: A Complete Guide for Students and Performers. Nancy Toff. Oxford University Press. 1996. ISBN 0195105028 (paperback).

Flute Technique. Gareth Morris. Oxford University Press. 1992. ISBN 019318432X (paperback).

Four and Twenty Fiddlers: The Violin at the English Court, 1540-1690 (Oxford Monographs on Music). Peter Holman. Oxford University Press. 1996. ISBN 0198165927 (paperback).

A Guide to Orchestral Music: The Handbook for Non-Musicians. Ethan Mordden. Oxford University Press. 1986. ISBN 0195040414 (paperback).

A Guide to the Concerto. Robert Layton (Editor). Oxford University Press. 1997. ISBN 019288008X (paperback).

Guitar Technique: Intermediate to Advanced. Hector Quine. Oxford University Press. 1990. ISBN 0193223236 (paperback).

Handel's Operas, 1704-1726. Winton Dean, J. Merrill Knapp. Oxford University Press. 1996. ISBN 0198164416 (paperback).

Haydn's Keyboard Music: Studies in Performance Practice (Oxford Monographs on Music). Bernard Harrison. Oxford University Press. 1997. ISBN 0198163258 (hardcover).

Heritage of Music. Michael Raeburn, et al. Oxford University Press. 1989. ISBN 019520493X (hardcover).

Heritage of Music: Classical Music and Its Origins Vol 1. Michael Raeburn, et al. Oxford University Press. 1992. ISBN 0195053702 (hardcover).

Heritage of Music: The Romantic Era Vol 2. Michael Raeburn, Alan Kendall (Contributor). Oxford University Press. 1992. ISBN 0195053710 (hardcover).

Heritage of Music: The Nineteenth-Century Legacy Vol 3. Michael Raeburn (Contributor), Alan Kendall. Oxford University Press. 1992. ISBN 0195053729 (hardcover).

The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music. Lydia Goehr. Oxford University Press. 1995. ISBN 0198235410 (paperback).

Inside Early Music: Conversations With Performers. Bernard D. Sherman. Oxford University Press. 1997. ISBN 0195097084 (hardcover).

The Interpretation of Music: Philosophical Essays. Michael Krausz (Editor). Oxford University Press. 1993. ISBN 0198239580 (hardcover).

Keyboard Interpretation from the 14th to the 19th Century: An Introduction. Howard, Ferguson. Oxford University Press. 1975. ISBN 0193184192 (paperback).

The Language of Music. Deryck Cooke. Oxford University Press. 1990. ISBN 0198161808 (paperback).

The Letters of Dr. Charles Burney. Charles Burney. Oxford University Press. 1991. ISBN 0198126875 (hardcover).

The Listener's Musical Companion. Thomas Hathaway (Editor), Bernard H. Haggin. Oxford University Press. 1991. ISBN 0195063740 (hardcover).

Marenzio: Ten Madrigals for Mixed Voices. Dennis Arnold, et al. Oxford University Press. 1966. ISBN 0193436752 (paperback).

Medieval Music (Oxford Topics in Music). Joan Arnold. Oxford University Press. 1986. ISBN 019321332X (paperback).

The Modern Age 1890-1960 (The New Oxford History of Music, Vol.10). Martin Cooper (Editor). Oxford University Press. 1974. ISBN 0193163101 (hardcover).

Modern Music and After: Directions Since 1945. Paul Griffiths. Oxford University Press. 1996. ISBN 0198165110 (paperback).

Monteverdi: Ten Madrigals for Mixed Voices. Dennis Stevens, Claudio Monteverdi. Oxford University Press. 1979. ISBN 0193436760 (paperback).

Mozart's Symphonies: Context, Performance Practice, Reception. Neal Zaslaw. Oxford University Press. 1991. ISBN 0198162863 (paperback).

The Mozart-Da Ponte Operas: The Cultural and Musical Background to Le Nozze Di Figaro, Don Giovanni, and Cosí Fan Tutte. Andrew Steptoe. Oxford University Press. 1991. ISBN 0198162219 (paperback).

Music for Elizabethan Lutes. John M. Ward. Oxford University Press. 1992. ISBN 0193152649 (hardcover).

Music from the Road: Views and Reviews, 1978-1992. Tim Page. Oxford University Press. 1992. ISBN 0195073150 (hardcover).

Music in Late Medieval Bruges. Reinhard Strohm. Oxford University Press. 1990. ISBN 0193164183 (paperback).

Music in the Medieval English Liturgy: Plainsong & Medieval Music Society Centennial Essays. Susan Rankin, David Hiley (Editor). Oxford University Press. 1993. ISBN 0193161257 (hardcover).

Music Matters: A New Philosophy of Music Education. David J. Elliott. Oxford University Press. 1995. ISBN 019509171X (hardcover).

The Music of Benjamin Britten: Illustrated With over 300 Music Examples and Diagrams. Peter Evans. Oxford University Press. 1996. ISBN 0198165900 (paperback).

The Music of Brahms. Michael Musgrave. Oxford University Press. 1994. ISBN 0198164017 (paperback).

The Music of Francis Poulenc (1899-1963): A Catalogue. Carl B. Schmidt. Oxford University Press. 1996. ISBN 0198163363 (hardcover).

The Music of Stravinsky. Stephen Walsh, Patrick C. Walsh. Oxford University Press. 1993. ISBN 0198163754 (paperback).

Music Since the First World War. Arnold Whittall. Oxford University Press. 1995. ISBN 0198165331 (paperback).

Music, Education, and Multiculturalism: Foundations and Principles. Terese M. Volk, Therese M. Volk. Oxford University Press. 1997. ISBN 0195106091 (hardcover).

Musical Beginnings: Origins and Development of Musical Competence. Irene Deliege (Editor), John A. Sloboda (Editor). Oxford University Press. 1996. ISBN 0198523327 (paperback).

Musings: The Musical Worlds of Gunther Schuller. Gunther Schuller. Oxford University Press. 1986. ISBN 0195037456 (hardcover).

National Music and Other Essays. Ralph Vaughan Williams, et al. Oxford University Press. 1996. ISBN 0198165935 (paperback).

Opera Anecdotes. Ethan Mordden. Oxford University Press. 1988. ISBN 0195056612 (paperback).

Opera Choruses for Male Voices. John Rutter. Oxford University Press. 1996. ISBN 0193437015 (paperback).

The Operas of Charles Gounod. Steven Huebner. Oxford University Press. 1992. ISBN 0198163487 (paperback).

The Operas of Verdi: From Don Carlos to Falstaff Vol 3. Julian Budden. Oxford University Press. 1992. ISBN 0198162634 (paperback).

Operetta: A Theatrical History. Richard Traubner. Oxford University Press. 1989. ISBN 0195207785 (paperback).

Oxford Book of English Madrigals. Philip Ledger. Oxford University Press. 1979. ISBN 0193436647 (paperback).

Oxford Choral Classics: European Sacred Music. John Rutter (Editor). Oxford University Press. 1996. ISBN 0193436957 (paperback).

The Oxford Companion to Musical Instruments. Anthony C. Baines. Oxford University Press. 1992. ISBN 0193113341 (hardcover).

The Oxford Dictionary of Music. Michael Kennedy. Oxford University Press. 1995. ISBN 0198691629 (hardcover).

The Oxford Dictionary of Opera. John Warrack, et al. Oxford University Press. 1992. ISBN 0198691645 (hardcover).

The Oxford History of Opera. Roger Parker (Editor). Oxford University Press. 1996. ISBN 0192840282 (paperback).

The Oxford Illustrated History of Opera (Oxford Illustrated Histories). Roger Parker (Editor). Oxford University Press. 1994. ISBN 0198162820 (hardcover).

The Piano: A History. Cyril Ehrlich. Oxford University Press. 1990. ISBN 0198161719 (paperback).

The Piano Trio: Its History, Technique, and Repertoire. Basil Smallman. Oxford University Press. 1992. ISBN 0198163045 (paperback).

Play the Viol: The Complete Guide to Playing the Treble, Tenor, and Bass Viol (Early Music Series No 10). Alison Crum, Sonia Jackson. Oxford University Press. 1992. ISBN 0198163118 (paperback).

Playing Recorder Sonatas: Interpretation and Technique. Anthony Rowland-Jones. Oxford University Press. 1992. ISBN 0198790023 (hardcover).

Playing the Viola: Conversations With William Primrose. David Dalton. Oxford University Press. 1990. ISBN 0198161956 (paperback).

Poetry into Song: Performance and Analysis of Lieder. Robert Spillman, Deborah Jane Stein. Oxford University Press. 1996. ISBN 0195093283 (hardcover).

Popular Musics of the Non-Western World: An Introductory Survey. Peter Manuel. Oxford University Press. 1990. ISBN 0195063341 (paperback).

Richard Strauss's Elektra (Studies in Musical Genesis and Structure). Bryan Gilliam. Oxford University Press. 1996. ISBN 0198166028 (paperback).

Romanticism (1830-1890) Vol 9. Gerald Abraham (Editor). Oxford University Press. 1990. ISBN 0193163098 (hardcover).

Scales, Arpeggios, and Exercises for the Recorder. Margaret Donington, Robert Donington. Oxford University Press. 1961. ISBN 0193221608 (paperback).

Schoenberg's Serial Odyssey: The Evolution of His Twelve-Tone Method, 1914-1928. Ethan Haimo. Oxford University Press. 1992. ISBN 0198163525 (paperback).

The Science of Music. Robin MacOnie. Oxford University Press. 1997. ISBN 0198166486 (hardcover).

Singers and the Song. Gene Lees, Graham Lees. Oxford University Press. 1987. ISBN 019504293X (hardcover), 0195060873 (paperback).

Singers and the Song: II. Gene Lees. Oxford University Press. 1998. ISBN 0195115562 (hardcover).

The Social Psychology of Music. David J. Hargreaves and and Adrian C. North (Editors), et al. Oxford University Press. 1997. ISBN 0198523831 (paperback).

Songs in Their Heads: Music and Its Meaning in Children's Lives. Patricia Shehan Campbell. Oxford University Press. 1998. ISBN 019511101X (paperback).

Sound Choices: Guiding Your Child's Musical Experiences. Wilma MacHover, Marienne Uszler. Oxford University Press. 1996. ISBN 0195092074 (hardcover), 0195092082 (paperback).

Sounds of the Orchestra. Antony Hopkins. Oxford University Press. 1993. ISBN 0195210271 (paperback).

Stolen Time: The History of Tempo Rubato. Richard Hudson. Oxford University Press. 1997. ISBN 0198166672 (paperback).

The Symphony: A Listener's Guide. Michael Steinberg. Oxford University Press. 1995. ISBN 0195061772 (hardcover).

Text and Act: Essays on Music and Performance. Richard Taruskin. Oxford University Press. 1995. ISBN 0195094581 (paperback).

Tippett on Music. Meirion Bowen (Editor), Michael Tippett. Oxford University Press. 1995. ISBN 0198165420 (paperback).

Trackings: Composers Speak With Richard Dufallo. Richard Dufallo. Oxford University Press. 1990. ISBN 019505816X (hardcover).

A Treatise on the Fundamental Principles of Violin Playing (Early Music Series, 6). Leopold Mozart, Editha Knocker. Oxford University Press. 1985. ISBN 019318513X (paperback).

The Twisted Muse: Musicians and Their Music in the Third Reich. Michael H. Kater. Oxford University Press. 1997. ISBN 0195096207 (hardcover).

Understanding Music. Antony Hopkins. Oxford University Press. 1993. ISBN 019521028X (paperback).

Violin Fraud: Deception, Forgery, Theft, and Lawsuits in England and America. Brian W. Harvey, Carla J. Shapreau. Oxford University Press. 1998. ISBN 0198166559 (hardcover).

Voice Placing and Training Exercise. George Dodds. Oxford University Press. 1927. ISBN 0193221403 (paperback).

Voice Placing and Training Exercise. George Dodds. Oxford University Press. 1927. ISBN 0193221411 (paperback).

Wagner's: Das Rheingold (Studies in Musical Genesis and Structure). Warren Darcy. Oxford University Press. 1996. ISBN 0198166036 (paperback).

The World Centre for Jewish Music in Palestine, 1936-1940: Jewish Musical Life on the Eve of World War II. Philip Vilas Bohlman. Oxford University Press. 1992. ISBN 0198162375 (hardcover).

The Age of Beethoven 1790-1830 (The New Oxford History of Music, Vol.8) Vol 8. Gerald Abraham (Editor). Oxford University Press. 1983. ISBN 019316308X (hardcover).

Age of Enlightenment 1745-1790 (The New Oxford History of Music, Vol.6) Vol 7. Egon Wellesz. Oxford University Press. 1974. ISBN 0193163071 (hardcover).

Age of Humanism, 1540-1630 (The New Oxford History of Music, Vol.4) Vol 4. Gerald Abraham (Editor). Oxford University Press. 1968. ISBN 0193163047 (hardcover).

The Ago 90th Anniversary Anthology of American Organ Music. Philip Brunelle. Oxford University Press. 1988. ISBN 019385788X (hardcover).

Analysis Through Composition: Principles of the Classical Style. Nicholas Cook. Oxford University Press. 1997. ISBN 0198790139 (paperback).

Ancient and Oriental Music (New Oxford History of Music, Vol.1) Vol 1. Egon Wellesz (Editor). Oxford University Press. 1979. ISBN 0193163012 (hardcover).

Ars Nova and the Renaissance 1300-1540 (New Oxford History of Music, Vol.3) Vol 3. Don Hughes. Oxford University Press. 1983. ISBN 0193163039 (hardcover).

Authenticity and Early Music. Oxford University Press. 1988. ISBN 0198161522 (paperback).

Bliss on Music: Selected Writings of Arthur Bliss, 1920-1975. Arthur Bliss, Gregory Roscow (Editor). Oxford University Press. 1991. ISBN 0198162227 (hardcover).

A Blow Anthology: 8 Anthems. Deborah Simpkin King (Editor). Oxford University Press. 1996. ISBN 0193530589 (paperback).

Boris Godunov: Full Score in Three Languages. Modeste Mussorgsky. Oxford University Press. 1975. ISBN 0193377004 (paperback).

A Byrd Anthology: 14 Anthems and Motets. John Milsom. Oxford University Press. 1996. ISBN 0193520079 (paperback).

A Catalogue of Durham Cathedral Music Manuscripts. Brian Crosby. Oxford University Press. 1987. ISBN 0199201552 (hardcover).

Cognitive Foundations of Musical Pitch (Oxford Psychology Series, No 17). Carol L. Krumhansl. Oxford University Press. 1990. ISBN 019505475X (hardcover).

Companion to Medieval and Renaissance Music. Tess Knighton (Editor), David Fallows (Editor). Oxford University Press. 1997. ISBN 0198165404 (paperback).

Composers at Work: The Craft of Musical Composition 1450-1600. Jessie Ann Owens. Oxford University Press. 1997. ISBN 0195095774 (hardcover).

The Concise Oxford Dictionary of Music (Oxford Paperback Reference). Michael Kennedy, Joyce Bourne (Editor). Oxford University Press. 1996. ISBN 019280037X (paperback).

A Concise School of Fugal Playing for Organ. C.H. Trevor. Oxford University Press. 1990. ISBN 0193758202 (paperback).

A Correspondence of Renaissance Musicians. Bonnie J. Blackburn, et al. Oxford University Press. 1991. ISBN 0193151537 (hardcover).

Delcroz Today: An Education Through and into Music. Marie-Laure Bachmann, David Parlett. Oxford University Press. 1994. ISBN 0198164009 (paperback).

The Dent Concertgoer's Companion. Antony Hopkins. Oxford University Press. 1995. ISBN 0460861123 (paperback).

Early English Keyboard Music Vol 1. Ferguson. Oxford University Press. 1990. ISBN 019372622X (hardcover).

Early English Keyboard Music Vol 2. Ferguson. Oxford University Press. 1990. ISBN 0193726238 (hardcover).

The Early Flute (Early Music, #15). John Solum. Oxford University Press. 1992. ISBN 0198162537 (hardcover).

Early Spanish Keyboard Music, Book 2. Ife, Truby. Oxford University Press. 1987. ISBN 0193729318 (paperback).

Early Spanish Keyboard Music, Book 3. Ife, Truby. Oxford University Press. 1987. ISBN 0193729326 (paperback).

Economic and Social Aspects of the Performing Arts in Japan: Symphony Orchestras and Opera (Economic Research Series, #25). Yoshimasa Kurabayashi, Yoshiro Matsuda. Oxford University Press. 1988. ISBN 431400486X (hardcover).

Editing Early Music. John Caldwell. Oxford University Press. 1984. ISBN 0198161425 (paperback).

Education and Music. Oxford University Press. 1989. ISBN 0193174200 (paperback).

Electronic and Computer Music. Peter Manning. Oxford University Press. 1995. ISBN 0198163290 (paperback).

Embellishing Sixteenth-Century Music. Howard Mayer Brown. Oxford University Press. 1977. ISBN 0193231751 (paperback).

Enek for Violin Solo. Michael Finnissy. Oxford University Press. 1991. ISBN 0193564416 (paperback).

English Pastoral Partsongs. Paul Spicer. Oxford University Press. 1994. ISBN 0193437228 (paperback).

Enjoy Playing the Cello. M. Martindale. Oxford University Press. 1990. ISBN 0193577518 (paperback).

Enjoy Playing the Clarinet. Bonetti. Oxford University Press. 1991. ISBN 019322108X (paperback).

Enjoy Playing the Guitar 1st Steps in Playing Classical Guitar. Debbie Cracknel. Oxford University Press. 1984. ISBN 0193221136 (paperback).

Enjoy Playing the Guitar Book 2. Debbie Cracknel, Gordon Davey (Illustrator). Oxford University Press. 1991. ISBN 0193559390 (paperback).

Essays on Opera. Winton Dean. Oxford University Press. 1993. ISBN 0198163843 (paperback).

First Philharmonic: A History of the Royal Philharmonic Society. Cyril Ehrlich. Oxford University Press. 1995. ISBN 0198162324 (hardcover).

Funeral Sentences With March and Cazon: For the Funeral of Queen Mary. Henry Purcell. Oxford University Press. 1995. ISBN 0193378779 (paperback).

Funerals and Fandangos for Solo Violin. Berkley. Oxford University Press. 1984. ISBN 0193554976 (paperback).

G.F. Handel Songs and Cantatas for Soprano and Continuo. Burrows. Oxford University Press. 1989. ISBN 0193454289 (paperback).

German Romantic Partsongs: Deutsches Chorbuch Der Romantik. Judith Blezzard (Editor). Oxford University Press. 1993. ISBN 0193435128 (paperback).

Gloria Vocal Score With Brass. John Rutter. Oxford University Press. 1976. ISBN 0193380625 (paperback).

The Great Haydn Quartets: Their Interpretation. Hans Keller. Oxford University Press. 1995. ISBN 0460861077 (paperback).

A Guide to Opera Recordings. Ethan Mordden. Oxford University Press. 1987. ISBN 0195044258 (hardcover).

A Guide to the Symphony. Robert Layton (Editor). Oxford University Press. 1995. ISBN 0192880055 (paperback).

Handbook of Conducting. Hermann Scherchen, et al. Oxford University Press. 1990. ISBN 0198161824 (paperback).

Haydn, Mozart and Beethoven: Studies in the Music of the Classical Period Essays in Honour of Alan Tyson. Sieghard Brandenburg (Editor). Oxford University Press. 1998. ISBN 0198163622 (hardcover).

Henry Purcell: Thirty Songs Vol 2. Henry Purcell with T. Roberts (Editor). Oxford University Press. 1995. ISBN 0193457148 (paperback).

Henry Purcell: Thirty Songs Vol 1. Henry Purcell with T. Roberts (Editor). Oxford University Press. 1995. ISBN 0193457113 (paperback).

Henry Purcell's Dido and Aeneas. Henry Purcell. Oxford University Press. 1990. ISBN 0193152533 (paperback).

Here's Someone I'd Like You to Meet: Tales of Innocents, Musicians and Bureaucrats. Sheila Dhar. Oxford University Press. 1996. ISBN 0195636279 (hardcover), 0195640543 (paperback).

Heritage of Music: Music in the Twentieth Century Vol 4. Michael Raeburn (Contributor), Alan Kendall (Editor). Oxford University Press. 1992. ISBN 0195053737 (hardcover).

The History of Violin Playing from Its Origins to 1761 and Its Relationship to the Violin and Violin Music. David D. Boyden. Oxford University Press. 1990. ISBN 0198161832 (paperback).

I Saw the World End: A Study of Wagner's Ring. Deryck Cooke. Oxford University Press. 1992. ISBN 0193153181 (paperback).

Instruments of the Orchestra. John Hosier. Oxford University Press. 1977. ISBN 0193213516 (paperback).

Instruments of the Orchestra (Book & Cassette). John Hosier. Oxford University Press. 1977. ISBN 0193213524 (hardcover).

Interpreting Bach at the Keyboard. Paul Badura-Skoda, Alfred Clayton. Oxford University Press. 1995. ISBN 0198165765 (paperback).

Josquin Des Préz: Proceedings of the International Josquin Festival-Conference. Oxford University Press. 1976. ISBN 0193152290 (hardcover).
Held at the Julliard School at Lincoln Center in New York City.

Judgements of Value: Selected Writings on Music. Martin Cooper. Oxford University Press. 1989. ISBN 0193119293 (hardcover).

Keyboard Concerto #38 in C Minor H.448/Keyboard Concerto #39 in F Major H.454: Carl Phillipp Emanual Bach, 1714-1788 (Concertos and Sonatinas). Carl Philipp Emanuel Bach, Elias N. Kulukundis. Oxford University Press. 1989. ISBN 0193240017 (hardcover).

Keyboard Sonatas, 1763-1766 (Carl Philipp Emanuel Bach Edition. Series I, Vol 24). Carl Philipp Emanuel Bach, Claudia Widgery (Editor). Oxford University Press. 1990. ISBN 0193240084 (hardcover).

The Language of Music. Oxford University Press. 1990. ISBN 0192840045 (paperback).

Machaut's Mass. Oxford University Press. 1992. ISBN 0193163330 (paperback).

Machaut's Mass: An Introduction. Daniel Leech-Wilkinson. Oxford University Press. 1992. ISBN 0198163061 (paperback).

Makers of the Harpsichord and Clavichord, 1440-1840. Oxford University Press. 1995. ISBN 0198161239 (hardcover).

Metrical Dissonance in the Music of Robert Schumann. Harald Krebs. Oxford University Press. 1999. ISBN 0195116232 (hardcover).

Miserere. Scarlatti. Oxford University Press. 1996. ISBN 0193380781 (paperback).

The Modern Age, 1890-1960 (New Oxford History of Music, V. 10). Martin Cooper. Oxford University Press. 1995. ISBN 0198164572 (paperback).

Modern Music and After. Paul Griffiths. Oxford University Press. 1995. ISBN 0198165781 (hardcover).

Mozart Studies 2. Cliff Eisen (Editor). Oxford University Press. 1998. ISBN 0198163436 (hardcover).

Mozart's Symphonies. Oxford University Press. 1991. ISBN 0193152401 (paperback).

Music: A Very Short Introduction (Very Short Introduction). Nicholas Cook. Oxford University Press. 1998. ISBN 0192853406 (paperback).

Music and Song. Murphey. Oxford University Press. 1992. ISBN 0194370550 (paperback).

Music for Today. Caroline Mears. Oxford University Press. 1978. ISBN 0195700821 (hardcover).

Music in Late Medieval Bruges. Reinhard Strohm. Oxford University Press. 1985. ISBN 0193163276 (hardcover).

Music in Transition: A Study of Tonal Expansion and Atonality, 1900-1920. Jim Samson. Oxford University Press. 1995. ISBN 0460861506 (paperback).

Music Since the First World War. Oxford University Press. 1995. ISBN 0312554923 (paperback).

Music, Imagination and Culture. Nicholas Cook. Oxford University Press. 1992. ISBN 0198163037 (paperback).

Music, Imagination and Culture. Oxford University Press. 1992. ISBN 0198161549 (paperback).

Musical Beginnings: Origins and Development of Musical Competence. Irene Deliege (Editor), John Sloboda (Editor). Oxford University Press. 1996. ISBN 0198523335 (hardcover).

Musical Composition. Reginald Smith Brindle. Oxford University Press. 1986. ISBN 0193171074 (paperback).

The Musical Mind. Oxford University Press. 1986. ISBN 0198521146 (paperback).

The Musical Mind: The Cognitive Psychology of Music (Oxford Psychology Series, #5). John A. Sloboda. Oxford University Press. 1986. ISBN 0198521286 (paperback).

Musical Perceptions. Rita Aiello, John A. Sloboda (Editor). Oxford University Press. 1994. ISBN 0195064763 (paperback).

Musings: The Musical Worlds of Gunther Schuller: A Collection of His Writings. Gunther Schuller, Gunther Schuler. Oxford University Press. 1989. ISBN 0195059212 (paperback).

The New Music. Oxford University Press. 1987. ISBN 0193154714 (paperback).

The New Music: The Avant-Garde Since 1945. Reginald Smith Brindle. Oxford University Press. 1987. ISBN 0193154684 (paperback).

New Oxford History of Music. Oxford University Press. 1995. ISBN 0198164475 (hardcover).

O Tuneful Voice: An Anthology of English Classical Songs for High Voice. Roberts. Oxford University Press. 1992. ISBN 0193457466 (paperback).

Oboe Concerto. Mathias. Oxford University Press. 1991. ISBN 0193656892 (paperback).

Old English Organ Music: Book 1. Trevor. Oxford University Press. 1992. ISBN 0193758245 (paperback).

Old English Organ Music: Book 2. Trevor. Oxford University Press. 1992. ISBN 0193758253 (paperback).

Old English Organ Music: Book 3. Trevor. Oxford University Press. 1992. ISBN 0193758261 (paperback).

Old English Organ Music: Book 4. Trevor. Oxford University Press. 1992. ISBN 019375827X (paperback).

Old English Organ Music: Book 5. Trevor. Oxford University Press. 1992. ISBN 0193758288 (paperback).

Old English Organ Music: Book 6. Trevor. Oxford University Press. 1992. ISBN 0193758296 (paperback).

Old French Organ Music Vol 2. Neary. Oxford University Press. 1983. ISBN 019375617X (paperback).

Opera and Church Music 1630-1750 (The New Oxford History of Music, Vol 5) Vol 5. and Lewis. Oxford University Press. 1975. ISBN 0193163055 (hardcover).

Opera and Church Music, 1630-1750 (New Oxford History of Music, V. 5). Anthony Lewis, Nigel Fortune. Oxford University Press. 1995. ISBN 0198164521 (paperback).

Opera and Song Books Published in England, 1703-1726: A Descriptive. David Hunter. Oxford University Press. 1998. ISBN 0948170107 (hardcover).

Opera Choruses (Oxford Choral Classics). John Rutter, Clifford Bartlett (Editor). Oxford University Press. 1995. ISBN 0193436930 (paperback).

Opera in the Twentieth Century: Sacred, Profane, Godot. Ethan Mordden. Oxford University Press. 1978. ISBN 0195022882 (hardcover).

The Operas of Charles Gounod. Oxford University Press. 1992. ISBN 0193153297 (paperback).

The Operas of Verdi: From Il Trovatore to LA Forza Del Destino Vol 2. Julian Budden. Oxford University Press. 1992. ISBN 0198162626 (paperback).

The Operas of Verdi: From Oberto to Rigoletto Vol 1. Julian Budden. Oxford University Press. 1992. ISBN 0198162618 (paperback).

The Oxford Organ Method. C.H. Trevor. Oxford University Press. 1971. ISBN 0193223503 (hardcover).

Philosophical Perspectives on Music. Wayne D. Bowman. Oxford University Press. 1998. ISBN 0195112962 (hardcover).

The Piano Trio. Oxford University Press. 1992. ISBN 0193183072 (paperback).

Play the Viol. Oxford University Press. 1992. ISBN 0193174227 (paperback).

Playing the Viola. Oxford University Press. 1990. ISBN 0193185148 (paperback).

Preparatory Exercises in Score Reading. Reginald O. Morris, Howard Ferguson. Oxford University Press. 1959. ISBN 019321475X (paperback).

A Purcell Anthology: 12 Anthems. Jerry Purcell, Bruce Wood (Editor). Oxford University Press. 1995. ISBN 0193533510 (paperback).

Rethinking Music. Nicholas Cook (Editor), Mark Everist (Editor). Oxford University Press. 1997. ISBN 0198790031 (hardcover).

Richard Wagner and the Nibelungs. Elizabeth Magee. Oxford University Press. 1991. ISBN 0198161905 (hardcover).

Samuel Beckett and Music. Mary Bryden (Editor). Oxford University Press. 1998. ISBN 0198184271 (hardcover).

Schoenberg's Serial Odyssey. Oxford University Press. 1992. ISBN 0193152606 (paperback).

Shakespeare and Opera. Gary Schmidgall. Oxford University Press. 1990. ISBN 019506450X (hardcover).

A Shakespeare Music Catalogue. Bryan N.S. Gooch, David Thatcher. Oxford University Press. 1991. ISBN 0198123590 (hardcover).

Six Fugues With Introductory Voluntaries Organ. Nares. Oxford University Press. 1976. ISBN 0193756110 (paperback).

A Sixteenth-Century Anthem Book. R. O. Morris. Oxford University Press. 1988. ISBN 019353407X (paperback).

The Social Psychology of Music: Edited by David J. Hargreaves and Adrian C. North. David J. Hargreaves (Editor), Adrian C. North (Editor). Oxford University Press. 1997. ISBN 019852384X (hardcover).

Songs in Their Heads: Music and Its Meaning in Children's Lives. Patricia Shehan Campbell. Oxford University Press. 1998. ISBN 0195111001 (hardcover).

Sound Recording Practice. John Borwick (Editor), Association of Professional Recording Services. Oxford University Press. 1996. ISBN 0198166087 (paperback).

Style and Interpretation: An Anthology of Keyboard Music: Classical Piano Music Vol 3. Howard Ferguson. Oxford University Press. 1971. ISBN 0193726262 (paperback).

Style and Interpretation: An Anthology of Keyboard Music: Duets of the 19th and 20th Century Vol 6. Howard Ferguson. Oxford University Press. 1971. ISBN 0193726297 (paperback).

Style and Interpretation: An Anthology of Keyboard Music: England and France Vol 1. Howard Ferguson. Oxford University Press. 1971. ISBN 0193726246 (paperback).

Style and Interpretation: An Anthology of Keyboard Music: Germany and Italy Vol 2. Howard Ferguson. Oxford University Press. 1971. ISBN 0193726254 (paperback).

Style and Interpretation: An Anthology of Keyboard Music: Romantic Piano Music Vol 4. Howard Ferguson. Oxford University Press. 1971. ISBN 0193726270 (paperback).

Suite Antique. Rutter. Oxford University Press. 1991. ISBN 0193586908 (paperback).

A Tallis Anthology: 17 Anthems and Motets (Tudor Church Music Series). Thomas Tallis, John Milsom (Compiler). Oxford University Press. 1992. ISBN 019353410X (paperback).

Tchaikovsky's Ballets: Swan Lake, Sleeping Beauty, Nutcracker. Roland John Wiley. Oxford University Press. 1991. ISBN 0198162499 (paperback).

Ten Venetian Motets. Denis Arnold (Editor). Oxford University Press. 1981. ISBN 019353035X (paperback).

Transcending Performance Barriers. Shirlee Emmons, Alma Thomas. Oxford University Press. 1998. ISBN 0195112245 (paperback).

W.A. Mozart Twenty-One Songs. Paul Hamburger. Oxford University Press. 1992. ISBN 0193454114 (paperback).

Women Musicians of Venice: Musical Foundations, 1525-1855 (Oxford Monographs on Music). Jane J. Baldauf-Berdes, Jane J. Balduaf-Berdes. Oxford University Press. 1996. ISBN 0198166044 (paperback).

The Young Pianist: A New Approach for Teachers and Students. Joan Last, Jean Last. Oxford University Press. 1972. ISBN 0193222876 (paperback).

The Age of Beethoven, 1790-1830 (New Oxford History of Music, V. 8). Gerald Abraham. Oxford University Press. 1995. ISBN 0198164556 (paperback).

All About Music. May and Anita Davis. Oxford University Press. 1977. ISBN 0193149192 (paperback).

Andrea Gabrieli: Ten Madrigals for Mixed Voices. Dennis Arnold. Oxford University Press. 1970. ISBN 0193435918 (paperback).

Australian Composition in the Twentieth Century. Frank Callaway (Editor). Oxford University Press. 1979. ISBN 0195505220 (paperback).

Beethoven's Diabelli Variations (Studies in Musical Genesis and Structure). William Kinderman. Oxford University Press. 1989. ISBN 0198161980 (paperback).

Beyond Orpheus: Studies in Musical Structure. David Epstein. Oxford University Press. 1987. ISBN 0193151502 (paperback).

Building a library: a listener's guide to record collecting. ISBN 0193113244 (paperback).

Cobbett's Cyclopedic Survey of Chamber Music Vol 3. Walter Cobbett. Oxford University Press. 1987. ISBN 0193183056 (paperback).

Cobbett's Cyclopedic Survey of Chamber Music Vol 1. Walter Willson Cobbett, Colin Mason (Editor). Oxford University Press. 1987. ISBN 019318303X (paperback).

Cobbett's Cyclopedic Survey of Chamber Music Vol 2. Walter Willson Cobbett, Colin Mason (Editor). Oxford University Press. 1987. ISBN 0193183048 (paperback).

Cobbetts Cyclopedic Survey of Chamber Music. Walter Willson Cobbett. Oxford University Press. 1987. ISBN 0193183064 (paperback).

Companion to Mozart's Piano Concertos. Arthur Hutchins. Oxford University Press. 1950. ISBN 0193184044 (paperback).

The composer. Michael Hurd. ISBN 019314915X (paperback).

Composers in South Africa today. ISBN 0195704312 (paperback).

Concert Music: 1630-1750 (New Oxford History of Music, Vol 6). Gerald Abraham (Editor). Oxford University Press. 1986. ISBN 0193163063 (paperback).

Concise History of Avant-Garde Music: From Debussy to Boulez. Paul. Griffiths. Oxford University Press. 1978. ISBN 0195200446 (paperback).

Concise Oxford Dictionary of Music. Michael Kennedy (Editor). Oxford University Press. 1989. ISBN 0193113201 (paperback).

The concise Oxford dictionary of music. Percy Alfred Scholes. ISBN 0193113074 (paperback).

The concise Oxford dictionary of music. Percy Alfred Scholes. ISBN 0193113023 (paperback).

The concise Oxford dictionary of music: based on the original publication by Percy Scholes. Michael Kennedy. ISBN 0193113155 (paperback).

Contemporary Canadian Composers. Keith MacMillan, John Berkwith. Oxford University Press. 1975. ISBN 0195402448 (paperback).

Early Medieval Music Up to 1300 (The New Oxford History of Music, Vol.2) Vol 2. Dom Anselm Hughes (Editor). Oxford University Press. 1978. ISBN 0193163020 (paperback).

Early Spanish Keyboard Music, Book 1. Ife, Truby. Oxford University Press. 1987. ISBN 019372930X (paperback).

The Emperor Maximilian I and music. Louise Elvira Cuyler. ISBN 0193152231 (paperback).

French Music: From the Death of Berlioz to the Death of Fauré. Martin Cooper. Oxford University Press. 1985. ISBN 0193162024 (paperback).

Growing Up With Music: Musical Experiences in the Infant School. Mary. Pape. Oxford University Press. 1970. ISBN 0193174103 (paperback).

The growth of music: a study in musical history. H. C. Colles. ISBN 0193174103 (paperback).

Growth of Music: A Study in Musical History. H. C. Colles. Oxford University Press. 1978. ISBN 0193161168 (paperback).

Hearts and Hands and Voices: Music in the Education of Slow Learners. David. Ward. Oxford University Press. 1976. ISBN 0193149214 (paperback).

Help Yourself to Sight Reading a Practical Tutor for Pianists. Sandercock. Oxford University Press. 1979. ISBN 0193223538 (paperback).

History of Music in Sound Vol 2. Gerald General Editor Abraham. Oxford University Press. 1960. ISBN 0193231018 (paperback).

History of Music in Sound: Ars Nova and the Renaissance Vol 3. Gerala Abraham (Editor). Oxford University Press. 1953. ISBN 0193231026 (paperback).

History of Music in Sound: Opera and Church Music Vol 5. J. A. Westrup (Editor). Oxford University Press. 2000. ISBN 0193231042 (paperback).

Making Electronic Music: A Course for Schools. Terence Dwyer. Oxford University Press. 1975. ISBN 019321072X (paperback).

Making the grade: how to pass your music exam. Paul Harris. ISBN 0193213486 (paperback).

Medieval Music. W. Thomas Marrocco, Nicholas Sandon. Oxford University Press. 1977. ISBN 0193232073 (paperback).

The Modal System of Arab and Persian Music, A.D. 1250-1300. Owen. Wright. Oxford University Press. 1978. ISBN 0197135757 (paperback).

Music and society in lowland Scotland in the eighteenth century. David Johnson. ISBN 0193164019 (paperback).

A music course for students. Geoffrey Winters. ISBN 0193218402 (paperback).

Music in a New Found Land: Themes and Developments in the History of American Music. Wilfrid Mellers. Oxford University Press. 1987. ISBN 019520526X (paperback).

Music in Renaissance Lyons (Oxford Monographs on Music). Frank Dobbins. Oxford University Press. 1992. ISBN 0198161379 (paperback).

Musical Appreciation in an Infant School. Eveline Craddock. Oxford University Press. 1977. ISBN 019321055X (paperback).

Music in Renaissance Lyons (Oxford Monographs on Music). Frank Dobbins. Oxford University Press. 1992. ISBN 0198161379 (paperback).

New Music 88. Michael Finnissy, et al. Oxford University Press. 1989. ISBN 0198161379 (paperback).

New Music 89. Michael Finnissy, Roger Wright (Editor). Oxford University Press. 1990. ISBN 0193119331 (paperback).

The new music: the avant-garde since 1945. Reginald Smith Brindle. ISBN 0193154242 (paperback).

Oboist's Companion: Lessons, Exercises, Music, Volume 1 Vol 1. Evelyn Rothwell. Oxford University Press. 1975. ISBN 019322335X (paperback).

Orlandus Lassus: Ten Madrigals for Mixed Voices. Dennis Arnold. Oxford University Press. 1977. ISBN 019343668X (paperback).

Oxford Choral Classics: Opera Choruses Recorded Pronunciation Guide. John Rutter, Clifford Bartlett (Editor). Oxford University Press. 1995. ISBN 0193437007 (paperback).

Practice Book for the Treble Recorder. A Rowland-Jones. Oxford University Press. 1962. ISBN 0193223406 (paperback).

Resonances 1836-1850 (Strong on Music, Vol 1) Vol 1. Vera Brodsky Lawrence, George Templeton Strong. Oxford University Press. 1988. ISBN 0195041992 (paperback).

The Sacred Music of Gilles Binchois. Philip Kaye (Editor). Oxford University Press. 1993. ISBN 0193530562 (paperback).

Sing a Rainbow: Musical Activities With Mentally Handicapped Children. David Ward. Oxford University Press. 1980. ISBN 0193174162 (paperback).

Studies in Eighteenth-Century Music; A Tribute to Karl Geiringer on His Seventieth Birthday.. Oxford University Pre New York. Oxford University Press. 1970. ISBN 0195195779 (paperback).

Teaching Musical Appreciation. Terence Dwyer. Oxford University Press. 1967. ISBN 019317409X (paperback).

They Can Make Music;. Philip. Bailey. Oxford University Press. 1973. ISBN 0193119137 (paperback).

The tradition of Western music. Gerald Abraham. ISBN 0193163241 (paperback).
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