A word from Philipp Spitta about the opening movement of this chorale cantata: "..the sound of tolling bells, the fragrance of blossoms pervades it - the sentiment of a churchyard in springtime". The continuo tolls the bell low in the harmony, the upper strings repeat a pizzicato bell-like figure and the flute alternates between arpeggios and repeated staccato high notes. All the while the oboes d'amore intertwine their sinuously attractive melody with the choir's chorale. This is a very lovely movement!
The theme is a common one in the cantatas: When shall we take leave of the sufferings of mortal life and achieve eternal life in Heaven? The bells continue tolling in the tenor aria and the (solo) oboe d'amore has another beautiful line. After a recitative, Heaven is achieved in the tour-de-force that is the bass aria. It is really difficult to avoid the feeling that here we have a movement, a gigue, from a lost flute concerto. It is a wonderful, optimistic, virtuoso piece and if you have any love for the flute as a solo instrument, do try to hear this. The cantata closes, after a recitative, with a lovely chorale setting with orchestral accompaniment. Especially effective is the low bass note that precedes the voices. The chorale melody itself, by Daniel Vetter, is especially attractive.
Copyright © 1996 & 1998, Simon Crouch.