Related Links

Recommended Links

Give the Composers Timeline Poster



Site News

What's New for
July/August 2014?

Site Search

Follow us on
Facebook    Twitter

Affiliates

In association with
Amazon
Amazon UKAmazon GermanyAmazon CanadaAmazon FranceAmazon Japan

ArkivMusic, The Source for Classical Music
CD Universe
HBDirect
JPC

Sheet Music Plus


ArkivMusic

Sheet Music Plus Featured Sale

Bach Cantata Listener's Guide

Ich lasse dich nicht, du segnest mich denn (I leave Thee not, except Thou bless me)

Cantata 157

  • Purification of the Blessed Virgin Mary
  • Epistle: Mal. iii. 1-4 (The Lord shall suddenly come to His temple)
  • Gospel: Luke ii. 22-32 (Simeon prophesies of Christ)
  • Rating: 2+

The solo cantata BWV 157 was commissioned as a memorial cantata for Johann von Ponickau, a privy councillor and chamberlain at the Saxon court. The piece has only come down to us via a score and set of parts copied by Penzel (a successor of Bach as Cantor of the Leipzig Thomaskirche) and there are many discrepancies between them. Fortunately, reconstruction is possible!

The Cantata opens with a fine duet between tenor and bass that is introduced with an equally fine and florid accompaniment from flute, oboe and violin. The voices are in canon, perhaps reflecting the words (from Genesis xxxxii. 24-30) that in scripture go on to relate the story of Jacob wrestling with a stranger (canon = wrestling? Well, maybe it's a bit far fetched!) The tenor aria is most notable for its oboe d'amore accompaniment and the following recitative also has an attractive accompaniment. The fine bass aria has a lovely part for the flute (so I am biased in its favour!) and breaks into arioso near the end for dramatic effect before returning to its original texture. The cantata ends with a straightforward chorale setting.

Copyright © 1996 & 1998, Simon Crouch.

Trumpet