Related Links

Recommended Links

Give the Composers Timeline Poster

Site News

What's New for
Winter 2018/2019?

Site Search

Follow us on
Facebook    Twitter


In association with
Amazon UKAmazon GermanyAmazon CanadaAmazon FranceAmazon Japan

CD Universe



Sheet Music Plus Featured Sale

CD Review

George Frideric Handel

Duetti Italiani

  • Duet #3, Sono liete, fortunate, HWV 194
  • Duet #4, Troppo cruda, troppo fiera, HWV 198
  • Duet #8, A miravi io son intento, HWV 178
  • Duet #11, Conservate, raddopiate, HWV 185
  • Duet #12, Tanti strali il sen, HWV 197
  • Duet #13, Langue, geme e sospira, HWV 188
  • Duet #14, Se tu no lasci amore, HWV 193
  • Duet #16, No, di voi non vo'fidarmi, HV 189
  • Duet #18, Beato in ver chi puo, HWV 181
  • Duet #19, Fronda leggiera e mobile, HWV 186
Rossana Bertini, soprano
Claudio Cavini, counter-tenor
La Venexiana
Cantus C9620 66:46 Recorded July 1997
Find it at AmazonFind it at Amazon UKFind it at Amazon GermanyFind it at Amazon CanadaFind it at Amazon FranceFind it at Amazon JapanOrder Now from ArkivMusic.comFind it at CD Universe

Handel wrote his ten Italian duets in two groups, in Hanover in 1710/11, after his return from Italy, and in England in the 1740s. They are secular cantatas da camera, intended to be performed at private gatherings in wealthy homes; each consists of several episodes of recitative and arias accompanied by continuo, and there is no real stylistic difference between the earlier and the later groups - or, for that matter, between these cantatas and the great operas he was writing at the same time. They are filled with melodic inspiration and ingenious scene-painting, and Handel liked them well enough to reuse their material frequently in later work, including Messiah. And when well sung, they offer constant delight at every turn.

Rossana Bertini has a somewhat edgy voice, but she does well enough in this recording, in both the expressive recitative and arioso arias and in the florid coloratura of the repeats. The continuo provided by La Venexaiana is very good, crisp and full in sound. But this otherwise excellent disc is spoiled for me by the Claudio Cavini's hollow falsetto, which is troublesome when solo and has a timbre that never blends well with Bertini's soprano. Paul Esswood and Maria Zadori have much better voices and provide effective performances on an old Supraphon set that includes other cantatas as well. But if you can put up with Cavini's hooting, you will find this music thoroughly enjoyable.

Copyright © 1999, Alexander J. Morin