Related Links

Recommended Links

Give the Composers Timeline Poster



Site News

What's New for
Second Quarter 2017?

Site Search

Follow us on
Facebook    Twitter

Affiliates

In association with
Amazon
Amazon UKAmazon GermanyAmazon CanadaAmazon FranceAmazon Japan

ArkivMusic
CD Universe

JPC

ArkivMusic

Sheet Music Plus Featured Sale

CD Review

Ludwig van Beethoven

  • Overture "Fidelio", Op. 72b
  • Symphony #1, Op. 21 *
  • Symphony #3 "Eroica", Op. 55
Boston Symphony Orchestra/Charles Munch
RCA Victor Gold Seal 38425 *Monaural
Find it at AmazonFind it at Amazon UKFind it at Amazon GermanyFind it at Amazon CanadaFind it at Amazon FranceFind it at Amazon JapanOrder Now from ArkivMusic.com

I have never understood why the legacy of Charles Munch is not better appreciated in this country. He did amazing work with the Boston Symphony Orchestra, and while his French masterpieces are well documented, his work in the Classical and Romantic periods has been largely forgotten. RCA's two "Romantic Masterwork" boxes have finally restored many great recordings to active circulation, but if you want the best of his Beethoven, these Japanese issues via ArkivMusic are the only way to go.

Right now, Munch's Beethoven 5th (beautiful, but ordinary), 6th (lovely, but without any repeats), and 9th (fierce, thrilling, and badly recorded) are available in the domestic market. That leaves his recordings of the 1st, 3rd, 7th, and 8th. This disc contains a masterful "Eroica", a whiplash "Fidelio" Overture, and a fine (albeit monophonic) 1st. The Boston Symphony is on absolutely stunning form, and Munch is exciting as they come. In the "Eroica", the approach is lean and driven, with the outer movements especially explosive. There are some funny sounds following the end of each movement; I'm not sure why they weren't edited by Japanese RCA, but otherwise the sound is very much in the realm of "Living Stereo". The Overture is equally engaging.

The 1st Symphony was recorded in 1950 and the sound is very full, but a little harsh in the upper registers. Still, it's fine enough that we know what's going on, and that's a good thing. This is a terrific reading, vigorous and exciting. Munch drives his Boston forces hard, and you can already hear the impact he was making at this early date. The woodwinds (which would soon be some of the most luminous in the nation) are on point here. The demand for mono Beethoven is admittedly thin, but I see no reason not to recommend this important part of the Munch/Boston discography. The notes are in Japanese only, but the packaging is cool. Purchase this from ArkivMusic for a slice of history.

Copyright © 2014, Brian Wigman

Trumpet