Related Links

Recommended Links

Give the Composers Timeline Poster

Site News

What's New for
Winter 2018/2019?

Site Search

Follow us on
Facebook    Twitter


In association with
Amazon UKAmazon GermanyAmazon CanadaAmazon FranceAmazon Japan

ArkivMusic, The Source for Classical Music
CD Universe

Sheet Music Plus


Sheet Music Plus Featured Sale

Arrigo Boito

Arrigo Boito

(1842 - 1918)

Poet, novelist, and composer, Arrigo Boito (February 24, 1842 - June 10, 1918) is known for the single opera he completed, Mefistofele. Like Gioachino Rossini, who wrote three dozen operas by his mid-thirties, and spent the next forty years of his life unable or unwilling to complete another, Boito underwent some kind of crisis early, and worked 54 years unsuccessfully at completing his second opera.

As a student at the Milan Conservatory, Boito was awarded a stipend after winning composition prizes that enabled him to travel and study abroad for two years. He took advantage of the prize to visit Poland, his mother's birthplace, as well as England, Germany, and France. He was much impressed during these sojourns with the dramatic power of the operas of Ludwig van Beethoven and especially of Richard Wagner. Hence he reshaped the traditional elements of Italian opera to suit the kind of dramatic presentation he had in mind. The result was Mefistofele, first performed when the composer was barely 24, for which the highly literary and literate Boito also wrote the libretto. At its premiere performance, a pious contingent, objecting to the thematic modernism of Boito's version of the Faust legend, demonstrated angrily. After the second performance was likewise ill-received, Boito withdrew the opera and undertook to modify it to appease criticism. It has become a staple of the repertoire, one of the most exciting and compelling of operas.

Dry as his font of musical inspiration became, Boito nevertheless retained in full his literary powers. He wrote librettos for Amilcare Ponchielli's La Gioconda and for Giuseppe Verdi's operas Falstaff and Othello, all regarded as works of the first order. Much of Boito's poetry has never fallen out of favor, and his letters reveal unusual gifts as well. Seldom, if ever, has anyone else secured a seemingly imperishable niche in musical history with so little output. One can only lament the early evaporation of Boito's source of musical inspiration. Had his powers increased, he might have eclipsed all others. ~Douglas Purl

Boito's signature

Recommended Recordings

Mefistofele (opera)

Sony S2K44983
Mefistofele (1868)/Sony S2K44983
Eva Marton (soprano), Plácido Domingo (tenor), Samuel Ramey (bass), Giuseppe Patane/Hungarian State Orchestra & Hungaroton Opera Chorus

Mefistofele (1868)/London 410175-2 or 475666-6
Montserrat Caballé (soprano), Luciano Pavarotti (tenor), Nicolai Ghiaurov (bass), Oliviero de Fabritiis/National Philharmonic Orchestra

Mefistofele (1868)/Kultur Video 24
Dennis O'Neill, Gabriela Benacková, Samuel Ramey, Maurizio Arena/San Francisco Opera Orchestra & Chorus
London 410175-2

Mefistofele (1868)/EMI CMS566501-2
Montserrat Caballé (soprano), Plácido Domingo (tenor), Norman Treigle (bass), Julius Rudel/London Symphony Orchestra